Since early September, I have been working on a reboot of my Timmons Chronicles series. It started out as a prequel to the existing books, and was titled 'Regrets.' The idea was to show the characters from 'Theater Boy' and 'The Timmons Incident' before Robert/Bobby was pushed back in time. In other words, I wanted to show why he was so driven to change things.
The process of writing it has been difficult, because of my inability to find a permanent home. I've had to do almost all the writing for it at work, between calls. I even did some of it in Notepad, which didn't translate very well when I switched to Google's Doc. Let's say when I finished it and started editing it, I changed a lot of apostrophes and quotation marks to the curvy type.
All of my writing for the Timmons Chronicles before then had sort of been aimed at Young Adults, and rightfully so, since the characters then were aged 13-14 or so. But for the new writings not only are the characters adults at the beginning, but it turns out were driven to have sex together. So my dilemma then was: How much sex to put in and how much detail should I get into.
Let me explain what I mean by detail. When the story first starts out these two are so completely opposite that given ordinary circumstances, they'd never get together. But forces beyond their control are driving them together. And one of those forces is sexual desire.
The first time it happens, the sex is spontaneous and brief, but for Dottie Brown, the first act opens up a whole new world for her. For her sex is more than just the pleasurable part and making babies, though there is that. A lot of that. For her, sex is a way of driving away the dark dreams she's been having. It chases away her demons. Therefore, she wants it as much as she can if only for that purpose. But it goes beyond even that, because sex with Robert Simmons allows her to see into his mind clearer than ever before.
And he's got one hell of a mind, if I do say so myself. So why go into the detail which really becomes erotica? I need you to see how the sex affects Dottie, both physically and mentally. It opens up so much for her and I want you to be right with her, writhing in ecstasy as much as she does.
So once I decided to write some of the sex scenes as erotica, it came down to how much sex to write. I could simply have written 'They made love by the moonlight,' a few times, but sex is an important part of this story because it's part of what drives them together.
And then the children start to come, and then they become important to the story. This really is a story about family, after all, something that was missing in 'Theater Boy' and 'The Timmons Incident.'
When I started writing it, I thought it would end in the tragedy that would drive them apart. But as I got deeper into the story, I decided the ending for this book would be relatively happy. I also decided to change the name of the series to 'The Simmons Chronicles,' because I have plans to continue that timeline after the events of the second book, where I really lay it on. I've tentatively titled it 'Darkness.' Dark enough for you?
Anyway the first draft of the first book is complete, and I'm really just filling in a few gaps and proofing it at this point. I have a tentative cover for it:
The process of writing it has been difficult, because of my inability to find a permanent home. I've had to do almost all the writing for it at work, between calls. I even did some of it in Notepad, which didn't translate very well when I switched to Google's Doc. Let's say when I finished it and started editing it, I changed a lot of apostrophes and quotation marks to the curvy type.
All of my writing for the Timmons Chronicles before then had sort of been aimed at Young Adults, and rightfully so, since the characters then were aged 13-14 or so. But for the new writings not only are the characters adults at the beginning, but it turns out were driven to have sex together. So my dilemma then was: How much sex to put in and how much detail should I get into.
Let me explain what I mean by detail. When the story first starts out these two are so completely opposite that given ordinary circumstances, they'd never get together. But forces beyond their control are driving them together. And one of those forces is sexual desire.
The first time it happens, the sex is spontaneous and brief, but for Dottie Brown, the first act opens up a whole new world for her. For her sex is more than just the pleasurable part and making babies, though there is that. A lot of that. For her, sex is a way of driving away the dark dreams she's been having. It chases away her demons. Therefore, she wants it as much as she can if only for that purpose. But it goes beyond even that, because sex with Robert Simmons allows her to see into his mind clearer than ever before.
And he's got one hell of a mind, if I do say so myself. So why go into the detail which really becomes erotica? I need you to see how the sex affects Dottie, both physically and mentally. It opens up so much for her and I want you to be right with her, writhing in ecstasy as much as she does.
So once I decided to write some of the sex scenes as erotica, it came down to how much sex to write. I could simply have written 'They made love by the moonlight,' a few times, but sex is an important part of this story because it's part of what drives them together.
And then the children start to come, and then they become important to the story. This really is a story about family, after all, something that was missing in 'Theater Boy' and 'The Timmons Incident.'
When I started writing it, I thought it would end in the tragedy that would drive them apart. But as I got deeper into the story, I decided the ending for this book would be relatively happy. I also decided to change the name of the series to 'The Simmons Chronicles,' because I have plans to continue that timeline after the events of the second book, where I really lay it on. I've tentatively titled it 'Darkness.' Dark enough for you?
Anyway the first draft of the first book is complete, and I'm really just filling in a few gaps and proofing it at this point. I have a tentative cover for it:
I'm still trying to figure out if that's the best. What I want to know from you, gentle readers, is would you pick up a book with that kind of cover?
Well, guess what? I'm gong to make the entire draft of the book available for a short time. Please click on this link to access it. I might remove access after a while, so hurry!
