Showing posts with label Timmons Chronicles. Show all posts
Showing posts with label Timmons Chronicles. Show all posts

Saturday, September 5, 2015

Writing: Timmons Chronicles Reboot - Chapter 1




Back when I first started writing about Bobby Timmons, Penny Thomas and Dottie and Sarah Brown, I knew where they all came from. I knew their background and what drove the characters. In other words, I knew that the original story did not start at the beginning. I wrote it with young adults in mind and threw some of what happened into flashbacks, yet I was always holding back. My thinking was: they were children. My readers would be children.

Yet as the story progressed and people started to read it, I realized the story was far more adult than it should have been, and as such, it appealed to adults more than young adults. My mistake was to rewrite it as an even more young adult book, and I failed at that, even.

Soooooo, I have begun to rewrite it from the beginning. From the very beginning. A very good place to start. None of our characters in this first novel, named 'Regrets', has a clue what will happen to them, or what is driving them. I've decided that there should be something driving them. The events that drove Bobby and the Old Man in the previous versions have not happened yet. We are in a different timeline, a happier one in some respects, and yet not as happy as it might be.

Here is the first chapter of this reboot. Not designed for Young Adults. Enjoy.

The Timmons Chronicles Book 1

Regrets

Chapter 1 - 1983

Dottie Brown looked over her notes for the umpteenth time. It wasn't that she couldn't remember the words, she had an eidetic memory. It was the emotions she was trying to convey that counted.

She lay face-down on her motel bed, propped up by a pillow, her notes in neat piles, one side that she had already gone over, the other was ready to read.

Show compassion; show pride, but not so much that you're arrogant; show humility but not so much that you're a pushover; show knowledge, and the capacity to think for yourself. She certainly could do those last 2. Years of memorizing the encyclopedias at home. Years of using her home chemistry set, working part time at the local chemical plant to get the 'safe' chemicals she needed. Months of trying to figure out what she liked best: Chemistry or Physics. She studied physics from books in the local library, mostly outdated, but with some practical information nonetheless. She was sure she knew more about both subjects than her high school teachers.

She clicked her tongue. Watch that arrogance, girl. If you make it into Harvard everyone will know more than you. But that was the whole point. She had reached her limits of what a Nebraska education could give her. Time to move away from the cow tippers and corn huskers and move into the real world. She just had to nail this interview.

Her brain told her it was time to dress: a perfect internal clock. She rolled over and out of the bed, then looked at the dress her parents wanted her to wear. Dress conservatively, they said. She hated dresses. Give her a comfortable pair of jeans and a pull-over shirt and she'd be happy as a clam. The less she had to think about dressing the more she could think about other things.

Plus dresses made her look awkward, to her mind. She put the dress against her and looked in a mirror. Yeah, awkward. It made her look like a beanpole, something the kids at high school called her frequently. Genetics made her tall; teasing made her mad.

She took a deep breath. That was the last thing she needed: to get mad. Harvard was her dream school. Bad enough her interview at Yale was terminated due to her temper. No. Due to a sexist pig of an interviewer. She shook it off, no sense in bringing it back just before the most important point in her life.

She jumped in the shower and afterward dried her shoulder-length, Fire-Engine-Red hair. As she combed it out the one positive thing she could say about it was that it was straight. She could not tolerate frizzy hair.

She slipped on the dress, dabbed a bit of makeup on her face: another sore point. Freckles were one thing, but combined with acne. Ugh. For half a minute she opened her mind to the possibilities, just to see if any challenges would reveal themselves. She wished she'd done that before the Yale interview... No, let's forget that.

She 'saw' nothing in particular, just some positive feelings. She took that as a good sign and slipped into her high heels.

"Hi, Dad," she said, a second before the knock on the door. She opened it. "I'm ready."

J.D. Brown was tall, but hardly the matchstick figure his daughter turned out to be. His work in construction for most of his life had made his body tough. But he had a jovial laugh and a good nature. Dottie frequently called him 'Corny,' but that had more to do with the area of Nebraska they lived in.

J.D. nodded at her and she followed him to the living area of the suite. Her mother, Beth, smiled sweetly at her. "I don't need to tell you how to act. Just be yourself and don't let the little things get you off-target."

Dottie understood. She and her mother had more than a familial bond: they thought alike. Only Mom didn't get mad. For that matter, neither did Dad. He only got 'disappointed,' but he let her know it by a silent frown or a terse word.

The drive to Harvard was silent. Dottie went over her notes in her head. Show compassion there, show pride there, show ambition everywhere, and show a little humility in just the right doses. That was her father's advice. She had no lack of ambition. But the humility was hard. She was right. She was always right. It irked her when someone told her she was wrong when she wasn't. They couldn't see things the way she could. No matter how right her visions turned out to be, no one believed her, except that one time. She shivered, trying to free her mind of the mutalated body she had seen in her head. But after that the teasing started, and she hid her 'gift'. 'Kids will'be kids', her mother had said. Yes, cruel and uncaring.

She closed her eyes and tried to meditate. Meditation had two repercussions for her: it calmed her so her anger had nothing to latch onto, and it increased her awareness of everything around her. The former had obvious good intentions. The latter had both good and bad repercussions. She felt minds all around her in various emotional states. Happy, sad, passionnate and yes, angry. She forced herself to concentrate on the happy and passionnate emotions she read. Her face turned red automatically when passions rose to their crescendo. She felt nothing internally, though. That was HER choice and no one else's. The happy thoughts, however, calmed her. They were happy moments in the lives of families in her general vicinity, and they reminded her of the happy moments her own family had gone through.

She saw a picnic setting with her parents and...No, no, NO! NO! Keep those thoughts away!

She pulled back from her reverie and opened her eyes. She felt a trickle of sweat run down her back, but that was the only sign that something had happened. No, her mother had stiffened. She felt it too. Dottie drew a deep breath and let it out slowly. The feelings of anxiety faded just as they approached the gates to Harvard.

***

Dottie sat in front of the group of Harvard professors and administrators. She had been through this sort of group interview before and knew what to expect. That helped to relax her. She got a generally good vibe from the group, with one or two negative vibes. She could overcome that. She had to overcome that.

The senior administrator cleared his throat. "Thank you for coming Miss Brown," he said. They were all male, all old men. "Tell us why you want to attend Harvard in the Fall."

Dottie drew a deep breath and launched into the prepared part of her notes. Knowing what they wanted to hear was a big part of it.

"I respect this institution. The foremost professors of physics and astronomy call Harvard home. I feel I can learn more here than any other school because of the resources at your disposal."

The grumpy man with the beard interrupted her. "Resources that cost money, Miss Brown. You applied for a scholarship. Can your family not provide for the tuition and room and board at Harvard?"

Dottie fought back the fit of anger caused by the interruption. Humility. "My family has never found that money provides happiness, Dr. Beckmann, we've always lived modestly on my dad's construction income. They can help me with room and board, but tuition is another matter. that's why I've applied for a scholarship as well as as many grants as I could find. I've worked 2 jobs over the last 2 years to earn the money I need for the first year, so I am prepared for that, but if and when I am accepted at Harvard, I want my full attention on my studies rather than how I'm going to pay for it."

The man nodded. "But why should we select you for Harvard, Miss Brown. Especially for our renowned Physics department?"

Time for pride. "I have straight A's in High School, and will be the valedictorian there when I graduate. I have perfect scores in the SAT's and Advanced Placement credits. I'd be starting out as a Sophomore. I've had an intense desire to learn about physics and I've read as many papers are in the public archives as I can. Even your book, (book title), Dr. Beckmann. I find the field of Astrophysics to be compelling. I-I'm even thinking of becoming an astronaut." She fell silent, her thoughts turning to space.

She heard a couple of huffs and a chuckle. The emotions she read told her they thought it was a joke. Yet it seemed to lighten the mood, so she let it pass.

She felt a piercing glance from another man, with glasses and small eyes. "Miss Brown, it has come to my attention that you were removed from an interview with Yale because of a fit of temper." He paused to see how she would react. She kept her posture relaxed. "Tell us about that, please?"

She drew a breath. Humility. "I don't know what you've heard, but this is the truth. Dr. Fields, I'm sure you all know him, made a comment about my body, suggesting I was trying to look like a man in order to fit in. His comment basically said I had no chest. I took offense to the fact that my gender or chest-size has any effect on whether I would be admitted to Yale. I regret that my temper got the best of me." Passion. "But my temper comes from my passion to learn and to succeed in discovering the unknown. I would much rather use that energy in finding black holes than in defending my - my womanhood."

She felt positive energy flowing from most of them. Nailed it.

The rest of the interview took on a more technical feel, being peppered with questions about what she knew. She answered every question with certainty.

At the end, the administrator stood. "Thank you, Miss Brown. We'll be in touch."

She stood and shook the hands of everyone there, getting a better empathic sense of how they felt. She left feeling highly confident.

She met her parents at a cafe on campus.

"Was it worth it," said her father. "I don't mean from a financial standpoint..."
\
Yes he did, partly.

"I mean do you feel that going for Harvard is worth all the - aggravation?"

She looked him in the eye. He had her best interest at heart. "I feel driven to get the best education. Period. Harvard can provide me with that, as well as the resources to continue researching after I leave. So yes, to me it's worth everything to go there."

She heard a voice in her head, one she hadn't heard before. It's vital you go to Harvard. It had a familiar ring to it, but she couldn't place it. She shook her head. This didn't feel like someone's thoughts. It felt like someone trying to tell her something.

"All right," he said. "Let's head home, then."

She opened her purse. "Not before I fill out these thank you cards and mail them. I want them to get these cards tomorrow." She began the process of writing each one, remembering individual details about each of them that she could use to personalize the cards. She had mastered caligraphy in her sophomore year, but kept her script plain, with the occasional flourish. She could feel her father's impatience growing, but she took her time, wanting to get it right the first time, every time.

***

When they arrived back at their home in Nebraska, Dottie unpacked quickly yet put everything in its place, slipped into her comfortable jeans, shirt and baseball cap, grabbed her bucket of baseballs, bat and glove and went to the nearby baseball field. It was empty but that was the way she liked it. She stretched and then ran a few laps, alternating her speed, feeling her heart beating faster. The time alone, with no one nearby, gave her time to think. She ran to the mound with her glove and ball, and threw pitches against the backstop, watching with delight as her pitches crossed the plate again and again. the boys hadn't let he play Little league as a child, and she was relegated to softball in High School. But baseball was her first love when it came to sports. She loved to watch the Major Leaguers pitch and bat, and mimiced them at first, but came up with her own style over the years.

She was in the process of hitting fly balls deep into the outfield when she saw a group of boys come up. She sensed they wanted to play a pick-up game and that meant she had to leave. But today she was feeling more defiant than usual and kept hitting. When one cleared the fence she got some whistles from the boys. But it was all a game. They knew she could hit, and pitch, but they didn't want her as a part of any team. She could sense the machismo and testosterone building in just the few minutes they watched. She hit the last ball in her bucket, then started to run after them.

She sighed as the boys started to take the field, assuming she was finished. She knew the answer even before she asked. "Mind if I play?"

The team leader was one of her classmates. An ugly brute who had hit on her more than once. She had shot him down every time.

"I'll let you play if you go out with me," he said.

Dottie carried the bucket of balls toward the rickety stands, turned and shook her head. "No thanks, Tom. I'm saving my dating life for the man I'll marry."

The brute crossed his arms. "How do you know he's the one if you don't date him?"
Dottie looked away for a moment, wistfully. "Oh, I'll know. He'll sweep me off my feet and make me feel like I'm a woman."

She heard the laughter in her head before she heard it in her ears.

"You are so dopey, Beanpole. We should call you Dopey Dottie from now on."

She stared at Tom. "And you wonder why I won't date you? Learn some manners and don't insult people." She felt like dropping him; she could. She had, once, when she was 15, but she got in so much trouble. She picked up her baseballs, her bat and glove and stormed off the field.

She dropped her gear on the floor of her room, curled up in her bed, and let her mind drift.

You'll know him when you meet. He won't seem right, but he will be the one.

She started out of her reverie. She had seen a figure, a man. She had seen herself too. The man was shorter than her. She soured at that thought. She always had the notion of looking up into her lover's eyes. Oh yes, she thought about sex, even if the act itself had not happened yet. She trembled slightly at the anticipation. Her Catholic upbringing might force her to wait until marriage, but that did not stop the urges. She drew a long breath, then went to take a cold shower. Not yet.






Copyright 2015 Michael Harrison Fox

Sunday, September 16, 2012

Free Books!

It's that time of quarter again, and the Kindle version of all my books are now free until Wednesday.

Here are the links:

Project Five-Star: The Five Points of Hope

Theater Boy: Part 1 of the Timmons Chronicles

The Timmons Incident: Part 2 of the Timmons Chronicles

These books are also free on the Amazon UK, Germany, France, Spain and Italy sites. They are even available in India now!

This is a limited time offer! The only things I ask are that you get 'em while they're hot and that you write a review of them! Oh, and by the way, you don't need a Kindle to read them. Amazon has all kinds of applications you can use from whatever device you have!


Monday, May 9, 2011

A Change to the Plot!

I worked more on the scripts for my proposed television series, The Timmons Chronicles. The series is based on my novels, 'Theater Boy,' and 'The Timmons Incident.'
The first episode was not something that was included in the book, though parts of it were hinted at. The second through 5th episodes went pretty much the way the book did.
However, for the sixth episode, I went off on a tangent, even the main character hinted that he may become unpredictable. That will last for an episode or two, then one of the defining moments of the series will happen, and the plot will return to what happens in the book, more or less.
I did this because I wanted to give my main character more power and be less dependent on his 'family.'
I'm not sure where I'm going to take it yet. I've reached the end of what I had written out last year, and it's all new. it ought to be fun, though.
I found a penny in the shelter Sunday, and decided my luck needed to change, so I picked it up. My luck was fine for all of Sunday. A friend paid me back $2 he had borrowed. We'll see if it holds up
I am STILL waiting for my state tax refund, North Carolina!!!!! I can't express how much I need this money!
That is all!



Tuesday, May 3, 2011

Tuesday ups and downs

The Carpenters once recorded a song in the early 70's, "Rainy Days and Mondays." I loved singing along with that song.
Generally speaking Mondays don't get me down, but rainy days do. And Tuesdays, but mostly because of Warcraft being down most of the day.
Today I'm feeling up and down, up because Osama bin Laden is dead, and I got a favorable comment on my script on storyboardtv.com.
Down because I still have not found a job, and unemployment looks each day like it will not come through,. though nothing official yet. I will appeal if it does not go through.
I have done some preliminary work with my 'Working From Homeless' script, mostly character and plot development, and the more I work on that, the more I like it. It's just a matter of time before I have a rough first draft.
Other than that, I spend each day at the library, typing away, surfing, perhaps a bit of playing on the Warcraft PTR, and that's it. I don't get the feeling that I'm accomplishing anything. Maybe that will change when the top 10 of storyboardtv is announced.
So, that's it for this update. You may go back to your merry lives and I will continue mine, and somewhere, we may all find happiness!

Tuesday, April 26, 2011

Perceptions

I'm going to take a side trail today and not write about writing.
In the last 24 hours, I have had a sinus infection take me from a slightly swollen face to a veritable black eye of a puffy cheek. Now I bring this up because on first glance you might think I had gotten in to a fight. I haven't been in a fight since Junior High. And I lost that one!
So here I was this morning, cheek puffy, seeing people look at me funny all morning, and I rode the bus to the library where I 'work' at my writing, when I pass 3 men in suits, having a conversation outside a cafe in the Cameron Village area of Raleigh.
I thought to myself, wow, they must be important. I wonder what they'd think of me.
And then it hit me. Not literally.
How important you are does not really bear on what you do, or how smart you are or how not smart you are. It has to do with perception. If someone perceives you as important and praiseworthy, then you are.
As I passed those 3 gentlemen earlier today, it dawned on my that because of the way they dressed and acted, I thought they must be important. Someone else, looking at me, no suit, no tie, just a black eye, laptop in a bag and a baseball cap on, one might perceive that I was on a lower caste than those gentlemen. They might look down their noses at me.
I thought about that a little, and it occurred to me that I really don't care what most people think of me. I'm not the suit and tie type. I prefer to wear a cap because outdoors my head can get sunburned! Any important decisions I make have an immediate impact on me, and me alone.
And I like it that way. I don't want to be responsible to other people. What I would like, however, is to entertain people with my writing. And if I make a little money on the side, well that's even better.
So let's put that perception to use in the writing world. (Okay, I lied about not writing about writing.)
I want people to perceive that I'm a writer, but, seriously, how does one do that when they are a complete unknown? I'm terrible at self-promotion, and always will be. I've tried to put the books into the hands of friends, teachers, co-workers in an effort to get them to help me promote it, and, frankly, that's been disappointing.
So, what's next? And how much money will it cost me? Because if there's one thing I've found in all this: If you want to promote, you have to pay. There is no longer that 'If you build it, they will come' attitude. I have to pay someone who puts the book on their 'popular' web site and that will draw readers. I have to pay to enter contests and hope I win.
Well, sorry to say this, promoters, but I'm broke as far as an advertising budget goes. So I'm going to continue what I've been doing (which may lead some to question my sanity) and hope that somewhere along the line, someone notices.
One thing I'd like to try is a recorded book reading (after my black eye fades), posted on my Youtube account, and hope it goes viral. I'd also like to make a book trailer, and perhaps someday I will. Something's gotta work, dammit, Jim!

Tuesday, April 19, 2011

Writing and the long wait

I've been writing off and on since 1996. Sometimes I can't stop myself from writing, and that's a good thing in most cases. The problem is when I'm doing that, I'm usually writing it by hand instead of using the computer. I have a couple of notebooks filled with scripts for episodes from my would-be TV series, and a year after I finished them, I'm just now getting to the point where I'm typing them into a computer.
I blame Warcraft for that. I got stuck into the same loop I always do when things get somewhat comfortable, and play games.
Now that things aren't so comfortable, I'm back to the point where I'm writing again, and trying to get serious about it. Now, however, I have my laptop again, and can comfortably sit in a local library and type away, or check email, or check various web sites that I've found in my journey.
I can't afford Warcraft, so that particular distraction is gone, but sometimes I get so tired of waiting to hear back from agents, or waiting to get a book review, or waiting to hear if my script is going to win a contest.
Unfortunately for writers who are not well known, this is the norm. I'd love to sit at a cafe all day, writing and sipping a cappuccino, but I'm broke, and the best I can do is to sit at the library, yes it's warm and comfortable, but I'm not comfortable, and that is what's driving my writing lately.
I wonder, given my history, if I need to be out of my comfort zone in order to write effectively.
I certainly hope not, because someday I'd like to make at least a tolerable living using this skill that, I feel, is the best skill I have, and more importantly, is the skill I feel most comfortable using.
Ah well, nothing to do but keep typing, keep hoping the story gets noticed. I do not want to be one of those authors appreciated more after he dies than when he was living.

Thursday, May 20, 2010

Writing: The Timmons Chronicles: Acts I and II

Okay, fans of mine. I know there are a few out there. I've spent a great deal of time writing the Pilot to the Timmons Chronicles, and below you will find acts I and II. That's all that's TYPED at the moment. The rest and several more episodes are hand-written, waiting to be type in. In the meantime, enjoy!




















The Timmons Chronicles

Pilot

By

Michael Harrison Fox

























Act I
INT : TIMMONS LIVING ROOM - AFTERNOON
It is January 1, 1972. A birthday party is in progress for BOBBY TIMMONS, age 6. His friends, boys and girls, are celebrating with a game of pin the tail on the donkey, and the birthday boy has been blindfolded. His mother, LORIE TIMMONS, watches over the party.
After the party is over and Bobby has said goodbye to his friends, Lorie takes him by the hand and leads him to a door in the hallway.
LORIE
We have one more present for you, Bobby.
BOBBY
Oh great! What is it? That fire engine I wanted?
LORIE
Not exactly.
She opens the door and they see Bobby’s father, BRAD TIMMONS, and his grandfather, THE OLD MAN next to a strange-looking chair.
BOBBY
Hey, I already had my teeth checked. What gives?
Bobby pulls back slightly.
THE OLD MAN
Sedate him.
LORIE
I don’t like this. Bobby we’re going to give you the gift of knowledge.
BOBBY
(Hesitantly)
What does that mean? And that chair looks like the same one you use when you check my teeth.
LORIE
It is, sweetie, but I promise you’ll be okay. We’d never hurt you.
The Old Man glares at her. She sighs and takes a needle out of one pocket.
BOBBY
Ahh! You are going to hurt me!
Brad suddenly appears behind Bobby and sticks a needle into his butt. Bobby cries out then passes out.
LORIE
That wasn’t necessary.
They lift Bobby and take him into the room.
INT: CHAIR ROOM – AFTERNOON
They quickly lift Bobby into the chair and strap him in.
THE OLD MAN
This is for the better. He won’t move and be tense during the procedure.
LORIE
I still think this is the wrong time to do this, the wrong way. If something were to go wrong…
THE OLD MAN
We’ll cross that bridge, doctor. He needs to broaden his mind. He’s been too slack with his education as it is.
LORIE
He’s only just six!
THE OLD MAN
I had this done when I was his age. He’ll be fine.
LORIE
You were better prepared. You knew what was happening. He doesn’t!
THE OLD MAN
Enough. (Looks at Brad) Do the honors, please?
Brad moves to a console on the far side of the room. Lorie and The Old Man join him. A device drops from the ceiling, and lowers onto Bobby’s head. It looks like a colander but with spikes on the inside and out. When it reaches Bobby’s head, electricity begins to arc.
THE OLD MAN
Are you monitoring him, doctor?
LORIE
Of course. Pulse is up, EKG spiking, but not beyond tolerances. His brain waves are shooting off the scale.
THE OLD MAN
Within tolerances. Start knowledge feed.
The unit begins to hum and the arcing increases. Bobby tenses.
LORIE
That’s too fast. (Hears a beep) Wait, shut it down. Something’s wrong.
The arcing begins to subside and Lorie rushed to Bobby’s side. She pulls out a box and waves it in front of Bobby, whose eyes have glazed over.
LORIE
(Shakes her head)
Too late. There’s brain damage.
THE OLD MAN
He’s not brain dead is he?
LORIE
No, but he’s lost higher learning functions. I told you this was too dangerous.
BRAD
We could try it again, with less power.
THE OLD MAN
No. We’ll have to do this the slow and sure way. (He calls out) Rejuvenate him, to just before this started.
The device lifts up and Bobby is surrounded by a glow. After a few moments, the glow fades away. Lorie examines him and nods.
LORIE
Back to normal.
THE OLD MAN
Take him to bed. I’ll prepare his gift.
INT: BOBBY’S ROOM – MORNING
Bobby is sleeping soundly. On his bed appears a small glowing ball. Bobby stirs, then jumps to a sitting position.
BOBBY
W-what are you?
The ball beeps.
GUIDE
A question has been asked. I am your guide to knowledge. Please ask anything you like and I will answer.
Bobby rubs his eyes.
BOBBY
Am I dreaming?
GUIDE
Negative. (It beeps again) Do you wish to learn more about me?
Bobby nods.
GUIDE
Very well. Please place one of your hands on me.
BOBBY
(Hesitantly)
It’s not going to hurt is it.
GUIDE
Negative.
Bobby reaches a hand tentatively at the ball. As he begins to make contact blue spikes of electricity come out. Bobby jerks his hand back.
BOBBY
That didn’t hurt, but my head tingles.
GUIDE
That is knowledge passing through your hand to your brain. This is a low-level form of brain training.
Bobby reaches out again. Soon his head is surrounded by a blue field. His hair flies up. Bobby laughs.
BOBBY
This is fun!
INT: TIMMONS LIVING ROOM – MORNING
The Old Man, Lorie and Brad sit in a circle, concentrating intently.
LORIE
I can see no damage this time. I don’t see why you couldn’t do it this way the first time.
THE OLD MAN
Because it’s slow and it will take longer to tell him what he needs to know. I swear, I’d never thought of myself as being this slow.
Lorie covers her face with her palm.
BRAD
We couldn’t use the techniques you were trained under, It would draw too much suspicion. His mind and body weren’t ready for the shock, and you know it. He’s not slow.
THE OLD MAN
No, but he has been terribly average thus far. We’ll change that.
LORIE
He’ll have trouble coping. He’ll have changed but his friends, his teachers won’t.
THE OLD MAN
Well then we’ll have to guide him through it, won’t we?
Bobby comes running into the room, carrying his guide.
BOBBY
Mom! Dad! You’ll never guess what I got!
BRAD
Do you like your gift?
BOBBY
Oh yeah. It’s great!
BRAD
It’s from your grandfather.
Bobby runs to The Old Man and hugs him.
BOBBY
Thanks grandpa!
Bobby sees a pigeon on the balcony and runs to the door. He opens it, touches the ball.
BOBBY
Columba livia , they eat seeds, bread, (pauses) oh wait, they spread disease. Shoo!
Bobby flails until the pigeon flies away.
LORIE
That’s enough of that, young man. Leave the birds alone. I won’t let you get sick from a pigeon and they have as much right to be here as we do. I will not have you be cruel to animals.
BOBBY
But don’t we own this building? We can tell them to leave!
BRAD
The building has been here long before we bought it. Leave them alone son.
Bobby sighs.
BOBBY
Okay.
THE OLD MAN
I’m glad you like my gift, Bobby. But you must promise me something.
BOBBY
Anything!
THE OLD MAN
Promise me you’ll never tell anyone about it.
BOBBY
But why? This is a great thing!
THE OLD MAN
There’s only one like it in the whole world. And it’s yours. If you go around telling people about it, they may try to take it away from you.
Bobby clutches the ball closer.
LORIE
Don’t frighten him. (To Bobby) Just make sure you keep it hidden. (Turns to The Old Man) In more ways than one.
FADE OUT
INT: BOBBY’S ROOM – NIGHT
Bobby lies in bed, clutching his ball. The ball glows softly.
BOBBY
Why do they want me to hide you?
GUIDE
Because you and I are unique. There is no one quite like us in the whole world. People will be jealous, they’ll want one too. Or if you tell them about me, they may laugh at you, think you’re crazy.
BOBBY
But I’m not crazy. (Pause) Am I?
GUIDE
No, you’re not. But think about it. If before today someone told you they talked to a ball, what would you think?
BOBBY
(Nods) I’d think they were crazy. But couldn’t you talk to them? Let them know you’re real?
GUIDE
I can only talk to you. Go to sleep now, and I’ll try to explain it while you’re sleeping.
Bobby strokes the ball, closes his eyes, and falls asleep.
INT: BOBBY’S CLASSROOM – DAY
Bobby enters his classroom, which is typical for a kindergarten classroom of the era. He wears a backpack, which he places on his desk. Several of his friends come up to him.
JEREMY
Hey Bobby! What did you get for Christmas and your birthday?
BOBBY
Oh, lots of stuff: A fire truck, a baseball glove, and uh- a new ball.
JEREMY
Did you bring the glove and ball? We can play catch!
Bobby clutches his backpack.
BOBBY
Uh, no. It’s not a baseball, it’s like one of those magic eight balls, only it talks.
JEREMY
This I gotta see.
Bobby pulls the ball from his backpack and the growing crowd ‘oohs.’
JEREMY
It glows. And you say it talks?
BOBBY
That’s right. Ask it a question.
JEREMY
Okay, are the Cubs ever going to win the World Series?
BOBBY
Well, answer the question.
GUIDE
I can only answer questions you pose.
BOBBY
All right. Will the Cubs ever win the World Series?
GUIDE
Not within the next 80 years.
BOBBY
Ha! They are pretty bad.
JEREMY
Who’s pretty bad? And when is that thing going to answer?
BOBBY
It just did. It said not within the next 80 years.
JEREMY
I didn’t hear it. Did anyone else?
Everybody shakes his or her head.
GUIDE
Only you can hear me, Bobby.
BOBBY
Oh, only I can hear it.
JEREMY
Bobby, you’re the last person I’d ever expect to do crazy things. But you are officially Crazy Boy now!
The rooms chants ‘Crazy Boy.’ Bobby sits at his desk, puts the Guide into his pocket and covers his ears. The teacher, MISS EVEREST, comes into the room.
MISS EVEREST
Hey! What’s all the shouting? Everyone in their seats!
The class scatters and sits down.
MISS EVEREST
We have a very special guest this morning! An Astronaut, who flew on one of the moon missions! Class, please welcome Michael Collins!
The class claps as MICHAEL COLLINS comes in. Bobby uncovers his ears.
BOBBY
A real astronaut!
MICHAEL COLLINS
Hi kids! Hey, who here remembers Apollo 11?
A few kids tentatively raise their hand, including Bobby.
MICHAEL COLLINS
I thought so, you were pretty young when we went out. Do you remember Apollo 15? About six months ago?
Everybody raises their hand.
MICHAEL COLLINS
Great! What did you like most about that mission?
Bobby and others raise their hand. Collins points at Bobby.
BOBBY
The lunar rover!
MICHAEL COLLINS
That’s right, we were able to drive on the moon for the first time! Hey, who here wants to be an astronaut?
Half the class raises their hands, including an enthusiastic Bobby.
MICHAEL COLLINS
Great! We need people like you if we’re going to make it to Mars in the next 30 years!
Bobby raises an eyebrow, puts his hand in his pocket and speaks furtively.
BOBBY
Is that true? Will we go to Mars?
GUIDE
Yes, but the first Mars landing won’t be until 2045.
BOBBY
(Raises hand)
I’m sorry, Mr. Collins, but you’re wrong. We won’t go to Mars in the next 30 years. It will be (does the math in his head) 73 years.
MICHAEL COLLINS
(Laughs)
Well, granted we may have some cost overruns, but we’re on track to land by 2010, not that far into the future. (Hesitates) Any other questions?
The kids laugh, and Bobby hears several kids say ‘Crazy Boy.’ He puts his head on his desk again.
EXT: PLAYGROUND – DAY
Bobby sits alone, away from the other kids. One occasionally passes him, yelling ‘Crazy Boy.’ Bobby gets up and wanders further away. He feels something hit him in the back and turns to find a baseball on the ground near him.
BOBBY
Okay, what joker threw the ball?
He picks it up and notices something written on it.
BOBBY
Take it easy? What does that mean?
He sighs and put the ball in his pocket.
INT: PRINCIPAL’S OFFICE – DAY
Lorie and Brad sit in the office. PRINCIPAL OWENS sits at his desk.
PRINCIPAL OWENS
I’m so glad you could make it here on such short notice. Bobby’s having some problems in school today and I wanted to bring it to your attention. He’s been in several fights already, including an argument with his teacher over how best to teach the class. He says a ball told him the answers. It has me worried. Has something happened over the holidays?
LORIE
Bobby has an overactive imagination. He received a lot of science fiction comics for Christmas and he was reading them non-stop.
PRINCIPAL OWENS
While I would normally applaud his ability to read, and have in the past, I think he needs to lay off the comics and keep his imagination in check. I’m sending him home for the rest of the day. And Doctor, you might want to take a look at his eye. It’s a bit swollen.
Brad and Lorie get up, and open the door to the reception room. Bobby sits there with a black eye and a pained look in his eyes.
INT: TIMMONS LIVING ROOM – DAY
Bobby, Brad and Lorie come into the apartment.
LORIE
Sit on the couch. I’ll take a closer look at that eye.
She goes into the kitchen.
Bobby sits, throws his backpack down.
The old man comes in.
THE OLD MAN
A little worse for wear?
BRAD
Perhaps we should take Bobby out of school until he (pause) adjusts.
BOBBY
They’re my friends, or they should be. I don’t want to be stuck here.
The old man touches Bobby’s eye and Bobby winces.
THE OLD MAN
Bobby’s right. He’ll adjust faster if confronts their laughter, their punches. Who started the fight anyway?
BOBBY
They did. One of them threw a baseball at me and no one admitted it. So I punched that creep Jeremy. He’s been the worst. Then they all started hitting me.
BRAD
Someone threw a baseball?
Bobby reaches into his backpack and pulls out the ball.
BOBBY
He even wrote something on it.
Bobby tosses the ball to Brad, who looks at the writing on the ball, and stares at the Old Man.
BRAD
This looks familiar. You don’t think…
THE OLD MAN
What I think is that Bobby needs to learn how to protect himself. He needs to know when to fight and when to walk away. There’s an old saying I’ve heard: ‘It is better to hear there he goes, than there he lies.’ Today, you were the one lying. Maybe you can teach him some martial arts.
(He stares at Bobby.)
For purely defensive capabilities.
BRAD
Maybe he can work on some Jujitsu, and some Eastern philosophies.
Lorie comes into the room carrying a bag filled with ice. She sits next to Bobby and looks at his eye.
LORIE
Nothing too serious. Put this ice pack on for the rest of the day, and get some rest.
THE OLD MAN
He needs a punishment, since he started all this by doing exactly what we told him not to do: telling people about the ball. Hand it over.
Bobby looks at Brad and then to Lorie.
BOBBY
You’re going to listen to him? It’s my ball, you said so yourself. It can only hear me, only talk to me!
BRAD
Just for the rest of the day.
Bobby stares at Brad for a moment. He reaches into the backpack and pulls out the ball. He hands it to the Old Man, bursts into tears and runs to his room.
BRAD
That was harsh. He was already beaten up. You had to take away his only friend.
THE OLD MAN
He’ll get over it. Lay out a plan to teach him Jujitsu, Sensei, and I’ll reprogram his ball to keep him on track.
FADE OUT
ACT II
FADE IN
EXT: WOODS – DAY
These woods are in a rural area of Nebraska, close to a small, as yet unnamed town. YOUNG DOTTIE and YOUNG PENNY walk outside the woods. It is about a month after the events of Act I. Young Dottie is 6, has blazing red hair, and is tall for her age. Young Penny is 5 1/2, blonde, and is average height. Snow is on the ground and they are dressed in coats. Young Dottie’s seems a bit threadbare, Young Penny’s is all fluffy. They hold hands and they approach a path into the woods.
YOUNG PENNY
Are you sure it’s safe? Seems a bit spooky to me.
Young Dottie lets go of Young Penny’s hand.
YOUNG DOTTIE
You’re kidding me, right? You travel all over the place with your parents but you won’t go into the woods with me?
YOUNG PENNY
I’ve heard that bears come here.
YOUNG DOTTIE
Silly. The bears are hibernating now. Come on!
Young Penny reluctantly follows Young Dottie into the woods. After a time they come upon a spring flowing into a creek. They stop to enjoy the wildlife they see: a majestic stag taking a drink.
YOUNG PENNY
(softly)
Ooh, how pretty!
YOUNG DOTTIE
Good thing my dad’s not here, he’d shoot him.
YOUNG PENNY
Oh no. (looks at stag) Not him. He looks too proud to be shot.
Young Dottie points her fingers like a gun.
YOUNG DOTTIE
Pow!
The Stag looks at them and then runs away.
YOUNG PENNY
See what you did! He’s too smart to get shot.
Young Dottie shakes her head and sighs. They continue down the stream until they come across a man fishing. He sits on a red-stained duffel bag. Young Dottie stops, looks at the man, and shivers, eyes wide. Young Penny smiles at the man and waves.
YOUNG PENNY
I know him. He works at my dad’s plant. Hi Mr. Brady!
MR. BRADY smiles back at the girls and waves. Young Penny starts to wind her way to him. Young Dottie pulls her back. Young Dottie is agitated.
YOUNG DOTTIE
(gasping for breath) Something isn’t right, Penny. Lets – lets get out of here.
PENNY
(stares at Dottie) What’s wrong with you? You sick?
DOTTIE
Uh, that must be it. I’m sick.
PENNY
(Turns to Mr. Brady) See you later!
The man stares after them as they walk away. He quickly stands and puts his fishing gear into the bag. A small, pale hand pokes out of the bag.
Young Penny is skipping as she and Young Dottie move away. Young Dottie freezes for a moment.
YOUNG DOTTIE
Run!
She bolts toward the entrance of the woods. Young Penny stops, her hands on her hips.
YOUNG PENNY
(yelling) What are you doing?
YOUNG DOTTIE
(stops) Race you home!
YOUNG PENNY
Well if you wanted to race you gotta give me more warning!
Young Penny starts to run after Young Dottie. When they get side by side, they both run together. They reach the entrance and Young Penny falls backward onto some soft, snow-covered grass, gasping for breath. They are in a business area now, a road lies before them and cars pass by.
YOUNG PENNY
You win! You always win when it comes to running. Must be those long legs.
Young Dottie looks behind them and sees Mr. Brady standing about a hundred yards away, carrying the duffel bag. Something red drips from it. She shivers.
YOUNG PENNY
(stands) Hey, I wonder if Dad and Uncle are busy? Let’s go see!
YOUNG DOTTIE
(looks back again)
Good idea, I kinda wanna talk to them.
They head to a large complex, wave to the guard at the gate and walk inside.
INT: ARTHUR THOMAS’ OFFICE – DAY
ARTHUR Thomas, Penny’s father, a man in his mid-30’s, sits at his desk UNCLE JACK, his brother, in his late 20’s, lays spread eagle on a couch. FELIX LIGHTER, in his late 40’s, sits in front of Arthur.
ARTHUR THOMAS
Jack I wish you’d pay attention while we talk business.
UNCLE JACK
I took the redeye from Paris. I’m dead tired.
LIGHTER
Perhaps if you’d spend less time with that French girl, you’d have more energy.
Uncle Jack looks over at Lighter, thumbs his nose at him.
ARTHUR THOMAS
Enough. Felix, mind your own business. Jack you need to take more of a hand in this company.
UNCLE JACK
Because father would have wanted it that way? Yes, I know how I’m supposed to act.
ARTHUR THOMAS
(Leans forward) I’m not saying don’t have fun. I’m saying take a little of the responsibility off my shoulders so I can spend a little more time with my family. Let’s get down to business.
He turns to Lighter.
LIGHTER
(Glances at Jack) Very well. Walter Gambel and his team have come up with a preliminary report on a new formula which could be very profitable. It’s an industrial glue that might have military applications.
ARTHUR THOMAS
How so?
LIGHTER
It seems to take on different properties when mixed with other chemicals. Possibly even explosive. We’ve codenamed it ‘QSA’ according to protocol.
ARTHUR THOMAS
Felix, you know I don’t deal with the military, especially when a chemical can do harm. It’s always been the policy of the company to help mankind, not hurt him. I want research on this stopped immediately.
LIGHTER
I would like to put this to a vote of the Board of Directors.
ARTHUR THOMAS
Fine, Jack, how do you vote?
UNCLE JACK
(Sighs) Felix he’s right. Father would never approve.
ARTHUR THOMAS
There. 51 percent of the stockholders say no. Stop research immediately.
LIGHTER
(Visibly upset)Very well. But I’ll make sure the rest of the board knows about this.
ARTHUR THOMAS
I’d expect nothing less. Any other...
A racket outside the office interrupts him. The door opens and Young Penny and Young Dottie rush in. Arthur Thomas smiles and holds out his arms.
ARTHUR THOMAS
Penny, dear.
Young Penny rushes to his arms and they hug. Lighter sits with his eyes closed, exasperation on his face.
LIGHTER
As if we don’t have enough problems.
Young Dottie stands behind him, shivers slightly, crosses her arms and glares at him. Uncle Jack sits up and gives her a mock salute. Young Dottie smiles at him.
YOUNG PENNY
Daddy, we saw Mr. Brady just now in the woods.
ARTHUR THOMAS
Yes, he sometimes uses his lunch period to go walking and hunting.
YOUNG DOTTIE
Hunting for kids!
Arthur looks at her questioningly.
YOUNG DOTTIE
(cont) I saw him put a body in his bag!
LIGHTER
A body, what kind of body?
YOUNG DOTTIE
A child. I think it was a girl!
YOUNG PENNY
Oh you did not see anything like that, Dottie. I sure didn’t!
YOUNG DOTTIE
(shudders) Well I didn’t see it as much as I felt it. He killed someone and is trying to hide the body!
LIGHTER
Felt it? Preposterous! Get out of this office with your wild stories!
Arthur has watched Young Dottie throughout the accusation.
ARTHUR THOMAS
Now, now, Felix, let’s not be so hasty. Dottie saw or felt something out of the ordinary, that’s obvious to me. Jack, can you investigate? Just pull him aside and ask a few general questions.
UNCLE JACK
(Looks thoughtfully at Young Dottie) All right, in the interest of being thorough.
LIGHTER
You’re just going to take her word, when your own daughter can’t even corroborate?
ARTHUR THOMAS
(Shrugs) Just call it a hunch. Dottie, Penny, why don’t you run on home. Tell your mother I’ll be home soon.
Young Penny glares at Young Dottie, who smiles at Arthur. Young Penny takes her by the arm and they go out. Uncle Jack follows them.
LIGHTER
You can’t be serious?
ARTHUR THOMAS
You don’t know her family like I do. Do you remember the deal we worked on for the Shah of Iran?
LIGHTER
The one that fell through? (shakes head) And a good thing too.
ARTHUR THOMAS
I met Dottie’s mother while we were still negotiating with the Shah’s men, you know, over lunch to thank her for taking Penny while we were overseas, and the negotiations came up in the conversation. I saw that woman shudder like I saw Dottie do just now. She told me she had a bad feeling about it, and I should keep my eyes open. Well I did, in fact I read through  that contract myself and I found something our lawyers missed. I’ve never been one to believe in ESP until that day. And if my suspicions are true, she passed her gift to her daughter and we will have caught a killer in our midst. (Leans back) And if not, we’ll simply inconvenience Mr. Brady.
LIGHTER
For his sake, I hope you’re wrong.
INT. OUTER OFFICE - DAY
Young Penny and Young Dottie come out the door, followed by Uncle Jack. He pats Young Penny on the head and she smiles. He exits the room.
YOUNG DOTTIE
He believed me! He actually believed me!
YOUNG PENNY
I don’t know where you got this idea that Mr. Brady killed someone, but is that why you ran?
YOUNG DOTTIE
Yes, I felt afraid of him. Let’s go home.
INT. INTERVIEW ROOM - DAY
Uncle Jack sits opposite Mr. Brady. The bag sits on a table between them, very bloody, but empty. Uncle Jack Stares at Mr. Brady, who stares coldly back.
UNCLE JACK
You shot a pig during lunch.
Mr. Brady nods.
UNCLE JACK
(Cont.) Where’s the body now? And for that matter where’s the gun?
MR. BRADY
Well, I couldn’t really bring a bloody pig into work, could I? I buried it so I can get it later. And the gun is in my locker. You know the policies.
UNCLE JACK
Yes, we found the gun, but it didn’t look like it had been fired.
MR. BRADY
I keep my guns clean.
He stares hard at Uncle Jack, who shivers.
UNCLE JACK
(Slowly) I think I need to call the Sheriff.
MR. BRADY
Not against the law to hunt, Mr. Thomas. I have permits.
UNCLE JACK
For hunting children?
Mr. Brady stays perfectly still, eyes on Uncle Jack.
INT. ARTHUR THOMAS’ OFFICE - DAY.
Arthur is on the phone when Uncle Jack comes in. Arthur signals him to sit down. Jack puts his hand on the phone and hangs it up. He picks it up and dials.
ARTHUR THOMAS
Something amiss?
UNCLE JACK
You should have seen his eyes, Arthur, cold, calculating. Hello, Sheriff’s office? This is Jack Thomas, of Thomas Chemicals. We need someone to come out immediately. One of our employees may have killed a child. (Pause) Thank you.
He hangs up the phone.
UNCLE JACK
Security is holding him and the bag.
ARTHUR THOMAS
Unsettling isn’t it, knowing that you’ve hired a killer? Now you know why father could not allow us to make anything harmful. It’s terrible to have that on your conscience.
Uncle Jack nods.
EXT. WOODS - NIGHT
Dogs bay as they are held by their handlers. A team of officers comb the woods near where Young Dottie and Young Penny saw Mr. Brady. A cry goes up and the Sheriff approaches. He uncovers some dirt to find a pale arm and hand half-buried in the dirt.
EXT. SHERIFF’S OFFICE BUILDING - DAY
Arthur Thomas, Uncle Jack stand with the Sheriff and the MAYOR.
SHERIFF
She was only 7, not even from this town. He kidnapped her and brought her here to have his way with her, then killed her while at lunch and tried to bury her. He got caught in the act, though, thanks to that girl.
MAYOR
She deserves a commendation. Ah, here’s her mother. Thanks for coming Mrs. Brown.
BETH Brown, walks up to the Mayor.
BETH
Thanks for calling me, sir. Dottie’s in school right now.
They shake hands.
MAYOR
I’ll go to her school later today to award her a commendation. I just wanted you to know first.
Beth nods. The mayor and sheriff leave.
ARTHUR THOMAS
Beth, I wonder if we might have a word with you.
BETH
Sure Arthur, planning another trip?
ARTHUR THOMAS
Well, actually, yes, but we’re taking Penny with us to Germany. No, I wanted to talk to you about Dottie. She has an extraordinary gift.
BETH
I’ve noticed it, Arthur., but I decided to let it develop on its own. You can’t push someone her age too hard or she’ll stop trusting it.
ARTHUR THOMAS
(nods) I understand. Thank you for coming.
INT. SCHOOL AUDITORIUM - DAY
The school holds grades K-12, as a way of cutting the budget. The entire school population, around 600 students sits in their seats. Young Dottie and Young Penny sit in the front row with their classmates. The mayor cones to the stage.
MAYOR
Thank you all for coming here. Today we’re here to honor one of our students, a girl whose insight allowed us to catch a child-killer. I’m sure you’ve all heard about it. Dottie Brown, please come forward.
Young Dottie rises. Murmurs also rise. She goes slowly to the stage and stops at the mayor.
MAYOR
Dottie, I have here a Certificate of Commendation, with your name on it, (reads) ‘In honor of using your mental powers of deduction to help capture a child killer,’ dated February 20, 1973.
He gives the certificate to Young Dottie, amid some cheers, most notably from Young Penny and her classmates. Young Dottie smiles for a picture, then scurries to her seat.
As the assembly breaks up, children of various ages pass by Young Dottie.
BOY #1
Hey Noodle Noggin, what am I thinking?
Young Dottie looks confused and passes him by.
GIRL #1
Hey Freak.
Young Dottie sneers and walks away, Young Penny in tow.
BOY #2
Bend a spoon for us, Einstein.
YOUNG DOTTIE
What are you talking about?
Young Dottie’s TEACHER grabs her by the hand and runs interference. They exit the auditorium.
INT. CLASSROOM - DAY
Young Dottie, Young Penny and their teacher enter their classroom.
TEACHER
Don’t worry about them, Dottie. They don’t understand.
Young Dottie sits at her desk, a confused look on her face.
INT. DOTTIE’S BEDROOM - NIGHT
Young Dottie is dreaming. Children of all ages surround her, walking around her.
BOY #1
Hey Noodle Noggin, what am I thinking?
GIRL #1
Hey freak.
BOY #2
Bend a spoon for us, Einstein.
GIRL #1
You’re just a freak.
The children begin chanting ‘Freak, freak’ over and over again. Young Dottie, in the center, turns in different directions.
YOUNG DOTTIE
But I’m not a freak. It’s a gift! (Chants continue, getting louder) I want it to stop! (Covers ears) Please stop! (Gets on knees) Make it stop! Make it Stop!
She closes her eyes and lets out a scream.
She wakes, breathing hard, sits up.
YOUNG DOTTIE
How can I stop that? I know, it never happened. I can’t really do it. I can’t really do it. (closes eyes, leans back) I can’t do it anymore.
The door opens and Beth comes in.
BETH
Dottie! I thought I heard a scream! Are you okay? Did you have a nightmare?
YOUNG DOTTIE
(Perfectly calm) I’m fine, mom. Just fine.